Taking the kitchen as an emblematic space in the domestic dimension linked to gender roles, the collective on stage articulates their own songs with theories and historical and current demands of feminisms, such as the struggle for the right to abortion, the fight against domestic violence, the body as resistance, the right to migrate, among others.

Building a live sound and visual universe, the performers move between songs, poems and essays through a multimedia staging.

Co-production: Parque Cultural de Valparaíso, Ex Cárcel, PCDV; Fundación Teatro a Mil FITAM; Azkuna Zentroa - Alhóndiga Bilbao; Hebbel am Ufer, HAU; and Festival Iberoamericano de Teatro de Cádiz, FIT.

The song "Tanta Impunidad" was part of the performance "CHILE IS DEAD. Half a Century of Obscene Impunity", created by Organa Feminazi and Jose Ignacio. The song denounces the political-sexual violence of which women and people from the LGBTQIA+ community are victims, both in contexts of authoritarian and democratic regimes.

The performance took place on 09 September 2023 at the Caupolicán Theatre, as part of the commemoration of 50 years since the coup d'état in Chile.

Street graphic intervention carried out between January and March 2022 in Valparaíso, Viña del Mar and Quilpué. Project developed together with Malú Valerio and Yola Mamani in the framework of the Forum El Siglo de las Mujeres, organised by the Goethe Institut Santiago de Chile - La Paz, Bolivia.

A game and collective experience that takes place in the public space to answer the question: how do we imagine the city from the future? Rethinking urban and political organization in a collaborative way, and from a feminist perspective, is the aim of this proposal that addresses the moments of change we are experiencing as a territory.

La ciudad del futuro is a collaborative work between the LASTESIS collective and Delight Lab, a co-production with Fundación Teatro a Mil that premiered at the Santiago a Mil 2022 Festival, in the main squares of Santiago, Ñuñoa, Maipú and Valparaíso

Collaborative artistic residency in Brussels, Belgium, in 2021 with artists Maryam K. Hedayat, Lucila Guichon and Jennifer Baez Matos. It also worked with anonymous collaborations, in commemoration of the International Day for the Elimination of Violence against Women, and was performed in an intervention at La Bourse on November 25th. It was also adapted into a short performance at the KVS Theatre on November 26th in the context of the Próximamente Festival and in collaboration with Mestizo Arts Platform.

Collaborative performance in public space created in residence in Valparaíso, through interdisciplinary scenic strategies. It involves the participation of around 80 women and people from the LGBTQIA+ community of different ages and backgrounds in a creative laboratory process. The work seeks to translate some ideas of Judith Butler, Paul B. Preciado and María Lugones, through a stage device based on the bodies and experiences of the participants. In the antagonism between repression and pleasure, death and celebration, denunciation and resistance, the performance seeks to address the vindication of the right to a life free of violence in a context of colonisation and active extractivism. Co-produced by Parque Cultural de Valparaíso (Ex-Cárcel), Fundación Teatro a Mil and HAU Hebbel am Ufer. RESISTENCIA has been presented in Chile in Valparaíso, Renca, Santiago, Ovalle, Talca, Rancagua; and abroad in Almada, Portugal; Cádiz, Spain; Guadalajara, México; Leeuwarden, The Netherlands; Zürich, Switzerland; and in Germany in Berlin, Wiesbaden and Hannover.

Collaborative intervention. Together with Delight Lab, Galería Cima, Goethe Institut, HBS cono sur, Radio Plaza Dignidad and Dadalú.

Street intervention + video.

Commemorative intervention, one year after the popular uprising of October 18th; together with Mujeres y Disidencias de Valparaíso in the context of Fuego, Acciones en Cemento. In collaboration with: Parque Cultural de Valparaíso.

LASTESIS Collective + La Revuelta Collective, Neuquén Patagonia.

Collaborative video for the Day of struggle for the decriminalization and legalization of abortion in Latin America and the Caribbean.

Collaborative video with Magellanic activists with the Cielos del Infinito Festival.

Premiere of video - collaborative feminist collage: Interdisciplinary strategies with creators and activists from the region of Magallanes and Antarctica. Festival de Artes Cielos del Infinito / 28 and 29 August 2020 / via streaming / Magallanes and Antarctica.

Collaborative video-performance in contribution to the project "Voices" of Bündnis Internationaler Produktionshäuser.

Video-performance with the artistic collective Pussy Riot.

Video-collage, reversion of Corazones Rojos by Los Prisioneros.

Corazones Rojos LO FI - LASTESIS collective version, Valparaíso, May 2020.

Street intervention carried out in Valparaíso on 20 November 2019 in the context of the social uprising in Chile, which denounces the political and sexual violence exercised in the context of protest against women and people from the LGBTQIA+ community. It was then replicated in Santiago on 25 November 2019, on the day of Non-violence against women in Latin America and the Caribbean. Since 2019 and until today, it has been replicated by other groups and collectives in more than 50 countries, being adapted and translated into multiple languages.

Patriarchy and Capital is Criminal Alliance is a small-scale performance based on the book Caliban and the Witch by Silvia Federici (2004).

Using the technique of collage, the work links performance, sound and visual experimentation, generating a transfer of feminist demands raised from an academic-theoretical universe to a device for multiple audiences. The performers build the sound universe on stage, which is constituted from computerized sounds, extracts from popular songs, sounds of toys and sounds emitted and recorded on stage by the performers themselves, generating the base on which the declamation of the writings is sustained; accompanied by a physical proposal, supported by the production of pamphlets and a canvas as protest in situ, together with projections that reinforce the performative character of the staging itself.